— Eman Ezzat

In her latest experience, artist Eman Ezzat did not create an artistic state, nor did she search for a decoration that includes psychological or aesthetic alienation, but more likely she instilled her own definition decoratively. It is a unique condition of surfaces filled with coloured roses and white roses to be able to feel what was hidden in the ground of the painting, and perhaps we have to enhance the value of the contrast between two surfaces covered by two textures, each of which has a role, lustre, and a sense that leads to contemplation of what is happening.